Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

A lavishly illustrated exploration of the art and theology of Fra Angelico. Fra Angelico offers a unique encounter with the celebrated painter, seen through the eyes of Monsignor Timothy Verdon. As an art historian and (like Angelico) a Catholic priest, Monsignor Verdon approaches the work of the only artist ever beatified through the theological lens it deserves, bringing together Fra Angelico’s art and his faith. Praised by his contemporaries, by later art historians, and by generations of viewers, Fra Angelico’s art is known for its exceptional combination of piety and painterly skill. In this book, Monsignor Verdon explores the spiritual and mystical foundations of the friar-painter’s work, and traces his artistic evolution from his early work, to the frescoes for the covent of San Marco in Florence, his Annunciations, and the chapel for Pope Niccolò V. Lavishly illustrated with over 200 high-quality images, Beato Angelico illuminates Fra Angelico’s art and his faith.

Angelico, --- religious art --- Angelico [Fra] --- Art, Renaissance --- Christian religion --- Angelico, - fra, - ca. 1400-1455 --- kunst en godsdienst

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Rather than as a destructive moment in history, the Iconoclasm of 1566 in the Netherlands was the catalyst for a re-evaluation of (religious) art in the Low Countries. It forced painters to question the very nature of the artistic tradition they grew up in. Is it merely a coincidence that the art markets changed so swiftly after the Fall of Antwerp, that art theory in the Low Countries originated in the wake of Iconoclasm (De Heere, Lampsonius, ...), or that painting in the second half of the sixteenth century saw the impetus of new styles, genres, specialisations (Aertsen, De Beuckelaer, ...)? Iconoclasm forced people to think about art. The generation of painters active in the two decades between the 'Beeldenstorm' and the fall of Antwerp did this by questioning the decorum of the work of their famous predecessors.

Painting --- anno 1500-1599 --- Netherlands --- Arts and religion --- Arts et religion --- Beeldenstorm en beeldenstrijd --- Beeldenstrijd -- Geschiedenis --- Beeldenstrijd en beeldenstorm --- Godsdienst en kunsten --- Iconoclasm --- Iconoclasm -- History --- Iconoclasme --- Iconoclasme -- Histoire --- Iconoclasme et iconoclastie --- Iconoclastie et iconoclasme --- Images [Querelle des ] --- Kunsten en godsdienst --- Querelle des Images --- Religion and arts --- Religion et arts --- Painting, Dutch --- Peinture hollandaise --- Painting, Netherlandish. --- History --- 16th century

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"While entire libraries discuss the religious and political history of the sixteenth century in Northern Europe, focused on the Reformation and the rise of nation-states, Larry Silver uniquely traces the dramatic, even traumatic changes of the Reformation era through visual culture, paintings as well as the new medium of prints. Among featured shifts are the destruction of church images, witchcraft, reactions to new voyages of exploration, and issues of vision itself in an age of increasing re-examination of morality as well as sin and death"--

Art and society --- Art, European --- Reformation and art --- History --- Themes, motives --- 1500-1599 --- Northern Europe --- Art --- kunst en godsdienst --- Reformation --- anno 1500-1599 --- Europe: North --- Art and society. --- Reformation and art. --- Themes, motives. --- Northern Europe.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

beeldenstorm --- geschiedenis --- Art --- Iconoclasm --- Mutilation, defacement, etc. --- Iconoclasm. --- iconoclasm --- History of civilization --- Iconoclasme --- Mutilation --- Beeldenstorm --- Vandalisme --- Kunstwerken --- Kunstgeschiedenis --- Kunst en cultuur --- Godsdienst --- Kunstwerk --- Kunst --- Filosofie --- Psychologie --- Sociologie --- Cultuur --- Kind --- Samenleving --- Technologie --- Wetenschap --- Historische kritiek --- Man --- Erfelijkheidsleer --- Stadssamenleving --- Maatschappij --- Verpleegkunde --- Volwassene --- Geschiedenis --- Voorlichting --- Art - Mutilation, defacement, etc. --- beeldenstorm. --- geschiedenis.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

La 4e de couverture indique : "Les cosmogonies – mythes de création du monde – n'ont jamais cessé d'accompagner l'histoire de l'humanité. Mais parce que l'investigation sur les origines fut l'un des leitmotivs de la pensée des XVe et XVIe siècles, nulle autre époque plus que la Renaissance n'a su en mesurer les enjeux anthropologiques, philosophiques et artistiques. À partir des œuvres de Ghiberti, Mantegna, Bosch, Michel-Ange, Raphaël, Parmigianino, Bandinelli, Salviati, Tintoret, Véronèse, Goltzius, El Greco ou encore Caravage, Florian Métral guide le lecteur dans l'exploration d'un imaginaire qui a façonné notre modernité."

Christian dogmatics --- Iconography --- creation [doctrinal concept] --- anno 1400-1499 --- anno 1500-1599 --- Art et religion --- Création (religion) --- Art chrétien de la Renaissance --- Cosmogonie --- Dans l'art. --- Creation in art --- Painting, Renaissance --- Christian art and symbolism --- Themes, motives. --- Cosmogony in art --- Thèmes, motifs. --- Christelijke kunst --- kunst en godsdienst